Introduction to Dance 舞蹈学导论（英译本）
定 价：60 元
丛书名：中国舞蹈理论丛书
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- 作者：吕艺生
- 出版时间：2014/1/21
- ISBN：9787513022293
- 出 版 社：知识产权出版社
- 中图法分类：J70
- 页码：301
- 纸张：胶版纸
- 版次：1
- 开本：16K
为将中国当代舞蹈理论著作翻译成英文并向西方推介的成果之一，《中国舞蹈理论丛书：舞蹈学导论（英译本）》以舞蹈本体论为核心，从舞蹈定义、舞蹈本质属性、舞蹈社会功能等视角，探讨舞蹈学自身规律，构建舞蹈学基础理论，强调舞蹈本体，涉及舞蹈表演、教育、创作及舞蹈史等方面。《中国舞蹈理论丛书：舞蹈学导论（英译本）》结构独特，自成体系，是中国探讨舞蹈学的首部理论著作。
《中国舞蹈理论丛书：舞蹈学导论（英译本）》适合对舞蹈艺术感兴趣者及相关研究者阅读。
《中国舞蹈理论丛书》
英文版序
百余年来，中国人在“西学东渐”潮流中，阅读、翻译了不少西方自然科学及哲学社会科学著作，汲取了许多知识与学术滋养，也包括舞蹈艺术理论和舞蹈人文知识。
多年来，许多被译成中文的英文舞蹈论著，在中国产生了很好的影响，诸如世界舞蹈史、芭蕾舞史、现代舞史、舞蹈文化史、西方舞蹈美学、舞蹈编导及身体训练等方面的著作，以及一些舞蹈家个人传记，如《邓肯自传》《巴兰钦传》《尼金斯基笔记》《皮娜·鲍什舞蹈剧场新美学》；等等。
相对而言，中文舞蹈史论著则很少被译成西文。我只知王克芬的《中国古代舞蹈史》前几年已被译成英文。这可能与中文舞蹈论著一向较少有关。
然而，近年来，中国舞蹈界确实产生一些舞蹈学术论著、史著和舞蹈教材等，其中不乏有价值的著述，也具有介绍性质。只是外国朋友懂中文的实在太少，有些朋友到北京看到那些中文书都是望而生畏，只挑了个别设计拉班舞谱的书籍。这使我们产生了自己进行舞蹈学论著中译英的设想，或许这会帮助他们了解中国。此想法受到学界的肯定，也得到某些教育机构的支持。这套丛书，虽然只包括三部著作，但在某种程度上代表了中国当代舞蹈理论方面的成果。
吕艺生，现任职务，北京舞蹈学院教授，北京舞蹈家协会主席、中国舞蹈协会顾问、中国教育学会舞蹈专业委员会理事长、北京师范大学兼职教授、北京理工大学博士研究生导师。曾任职务，北京舞蹈学院院长、中国文艺人才理事会会长、北京大学生艺术团艺术指导。
主要论著：《中国艺术教育大系舞蹈卷》主编、《舞蹈大辞典》（中国戏剧出版社）、《舞论》（中国戏剧出版社）、《舞蹈教育学》（上海音乐出版社）、《舞蹈学导论》（上海音乐出版社）、《中学音乐舞蹈老师〈舞蹈〉教材》（高教出版社）、《艺术管理》（上海音乐出版社）、《大型晚会编导艺术》（上海音乐出版社）。
主要成就：1957年世界青年联欢节表演双人舞《牧笛》获银质奖章、1992年获文化优秀专家称号、1992年获国务院有特殊贡献专家待遇、1998年因编导《欢庆香港回归》获北京“五个一工程奖”、《舞蹈教育学》获得国家级优秀教材二等奖、“北京舞蹈学院学科建设”获得北京市科研项目一等奖和国家二等奖。
Introduction： A Phenomenon that Shakes the Society
Chapter 1 Different Visions of Dance
Time and Space
Dance as Attitude on Life
Expression of Emotions
Fluid Sculpture
Rituals of Body
Two Comprehensive Methods of Definition
Chapter 2 The Nature of Dance
Dispute Between Nature and Feature
The Confrontation between Reproduction and Expression
Flow of Movements without Consciousness
The Enhance to the Nature of Dance
Chapter 3 Dance as a System
The Premise of Scientific Research and the Overlap of Systems
Dance in the System and the System of Dance
Division of the System of Dance
Dance in the Social System
Chapter 4 The Borderland of Dance
Dance and Music
Dance and Acrobatics
Dance and Drama
Dance and Fine Arts
Chapter 5 The Different Kinds and Forms of Dance
Folk Dance —— Mother of All Dances
Ballet —— the Change of Rites
Classic Dance —— A Name by Modem People
Modem Dance —— Category and Appearance
Sub-dance and New Kinds of Dance
A Prediction of the Synthesis of Dance and Other Arts
Chapter 6 Movement and Language
Beyond the Embedded Value
Formation and Construction of Dance Movements
"Force" in Time and Space
"Emotion" in Movement
Chapter 7 The Ontology of Dance
Ontology and Dance
Significance of the Form of Dance
Dialectics of Motion
In the Middle of Being the Same and Being Similar
Chapter 8 Inheritance and Creation
Chieftain， Warlock and Dance Teacher
Textbooks and Teaching Theories
Choreography and Creation
The Manipulator behind Aesthetic Appreciation of Dance
Chapter 9 History's Admonitions
Distant Echoes
The Shift between Center and Edge
How did Dance History Develop
The Origins and Variations of Dance
Chapter 10 The Special Carrier
Performance as the Core
Techniques and Art
Dance in "Intoxication"
Emotional Positioning
Chapter 11 Dance and Science
Between Dance and Science
D·T·V
Consolation to Picasso
Reference
The enthusiasm for folk dance in urban area was lit at the Longtan temple fair held inBeijing．Dancers all over the nation were invited here to compete for a prestigious award．Based on the first success,the organizers decided to make it an annual activity and thenames of every year's jadges would be carved on the wall of the competition building．
Later,cities and towns in other parts of China followed suit and organized their owndancing events and festivals,such as the flower drum lantern festival in Anhui,gongsand drums beating festival in Shanxi．ethnic art festival in Yunnan and internationalyongko festival in Shenyang．The charm and vitality of folk dance surprised many experts．
Dancing is a social phenomenon in no circumstances to be overlooked since the firstday of its existence．A nation'S traditional dance is part of its culture,often performed incelebrations and political ceremonies．It is indispensable for our daily life．
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